Showing posts with label Advice. Show all posts
Showing posts with label Advice. Show all posts

Thursday, 19 April 2012

The Bridport Prize

If any blog title is sure to get the attention of short story writers - poets too - it's one that mentions The Bridport Prize.

But I'm not trying to get your attention, honest. (At least no more than usual.) I thought I'd put a post together because each year a month or two before the Bridport deadline I notice more people find this blog by Googling Bridport related phrases. I say 'people', I mean more specifically writers - who are also people, but people who have more than just a passing fancy in The Bridport Prize. They are hungry for information, thirsty for the facts.

I know what it's like to get your work ready to submit and desperately want to know stuff about where it's going. What worked in the past, what it's up against, how many entries, when the winners will be announced. I am still that writer - I still send stories out and I sit and refresh web pages or my email when the results are due.

I've written about this before. In May 2010 I wrote a few pieces of advice about entering the prize. And if you're interested in my experience of the prize-giving, you can read about it here.

It's not like I have any definitive answers but I can tell you one or two things based on my own experience only.

You can't read any Bridport winning stories online. This is the most common Bridport related thing people type in their search engines. You can buy copies of the anthology from the website, and you might find a few copies on Amazon.

The selection process takes a long time.
From the deadline to me hearing about being a runner-up took 3 months. And then I had to keep it under my hat until the prize-giving, almost 2 months further down the line. The best thing you can do when you have entered is let it go. I say this - I know this - I hardly ever do it myself. The main thing though is that a competition which receives around 6000 short stories is going to take a while to get back to you.

Your story will be read by a volunteer first, a reader who loves to read, who might have been doing this for the love of it for years. Bear in mind your story, like any short story, needs to grab and hold that reader from the start.

Selecting, and judging, is subjective. The story that got me into the final 13 in 2009 was rejected in 2007. It was the same story, I hardly re-wrote it. Simply put: it got read by the right person in 2009. Whoever read it first, liked it enough to pass it on to the next stage. And then someone else liked it, and then someone else, and maybe another person, and then Ali Smith.

The element of luck that is required in short story competitions is immense
. I never fully appreciated that until I attended the prize-giving, and got to learn a little about the stages of reading and sifting that stories go through to get on the long list.

This is part of the process of sending your work to any major writing competition and it can be overwhelming to think about. But the important thing is - 12 or 13 stories and poems WILL make it through all those parts of the process and one of them could be yours.

And, the thing that's most important - at least to me - when sending any of my work away is - send the story that feels true. This is nothing to do with facts or writing a 'true story' but is about the sort of writing that you feel is true to you. Write in your style, with your passion, in your way of telling.


And if your work is selected, you might get to look like this after the prize-giving. I think I look happy, tired, excited, relieved, drunk. My hair was nice as well, wasn't it?



I'm really glad that people can find this blog by Googling Bridport stuff. There are some things you can't get by looking at an official web page. I think in this digital age of blogs a-go-go, Facebook, Twitter etc, we're looking for personal connections to out of reach things more and more.


Good luck to anyone who enters. The deadline is a month earlier than previous years - it's May 31st. Details here.

Friday, 8 July 2011

Don't be prissy, yeah?

I stumbled upon this quote today, over at AdviceToWriters, and had to share it. It's from Richard Ford. I think it's pretty spot-on.


Beware of writers who tell you how hard they work. (Beware of anybody who tries to tell you that.) Writing is indeed often dark and lonely, but no one really has to do it. Yes, writing can be complicated, exhausting, isolating, abstracting, boring, dulling, briefly exhilarating; it can be made to be grueling and demoralizing. And occasionally it can produce rewards. But it's never as hard as, say, piloting an L-1011 into O'Hare on a snowy night in January, or doing brain surgery when you have to stand up for 10 hours straight, and once you start you can't just stop. If you're a writer, you can stop anywhere, any time, and no one will care or ever know. Plus, the results might be better if you do.


Richard Ford



From Advice to Writers by Jon Winokur

Sunday, 3 April 2011

worth remembering, I think.

Shaun Tan writes and illustrates picture books - beautiful creations. His book, The Red Tree, is one of my favourites.

"A nameless young girl appears in every picture, a stand-in for ourselves; she passes helplessly through many dark moments, yet ultimately finds something hopeful at the end of her journey.
"


Anyway, the thing that's resonated with me enough to write a blog about it is this quote of his I came across a few days ago:

The artists’ responsibility lies first and foremost with the work itself, trusting that it will invite the attention of others by the force of its conviction.

It's the first bit of the sentence that has struck me. It's not that I haven't heard something like that before, or felt it, it's maybe that it articulates it better than I've heard before. Or that it's come at a time when being reminded of that is good for me.

What do you think? Do you agree?
If you're a writer, who is your responsibility to?